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- ASTORIA FILMWRIGHTS – THE MISSION
- Writing Course
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- About James Bonnet’s Free Online Story and Writing Course
- The Coming Age of Story
- The Hidden Story Structures in Great Stories
- Writing Great Screenplays and Novels
- The Creative Unconscious Self
- The Secret Language of Great Stories – Part One
- The Secret Language of Great Stories – Part Two
- The Storywheel
- The Golden Paradigm
- The Creative Storymaking Process
- Six Creative Storymaking Techniques
- The Golden Thread: The Subject of Your Story
- The Role of the Problem in Great Stories
- The Threat and The Essential Elements of Story
- The Scourge Being Avoided and the Value Being Pursued
- The Threat and the High Concept Great Idea
- How To Create a Great Threat
- The Real Cause of the Problem in a Great Story
- The Character Archetypes and Major Players of a Great Story
- The Marvelous and Terrible Elements
- The Love Interests in a Great Story
- Troublemakers and Troubleshooters: Two Critical Fail-Safe Archetypes
- Bonus Articles
- STEALING FIRE FROM THE GODS
- James Bonnet’s Storymaking: The DVD
- Story and Screenwriting Seminars in Los Angeles
- Novel and Screenwriting
Workshop-Retreats in France - Attendee’s Comments
- Getting There – Being There – Going Beyond France
- Registration For France Workshop
- Seven Day Los Angeles Storymaking Workshop
- Registration For Los Angeles Workshop
- The Threat and The Essence of Story
- About James Bonnet
- PRIVACY NOTICE
- Story and Screenplay Consulting
- Stealing Fire From The Gods Table Of Contents
- Foreword To The First Edition
- Preface
- Introduction
- Chapter 3: Why The Old Great Stories Were Created
- Chapter 4: How The Old Great Stories Were Created
- Chapter 5: Why The Old Great Story Takes The Form That It Does
- Chapter 6: How The Great Story Does Its Work
- Chapter 7: How This Natural Storymaking Process Was Cut Off