Foreword to the Second Edition….ix
Foreword to the First Edition….x
Preface….xii
Introduction….xv
PART ONE: THE NATURE AND PURPOSE OF STORY
1. The Story Of The Two Potatoes…3
2. How This Knowledge Was Developed….5
3. Why The Old Great Stories Were Created….8
4. How The Old Great Stories Were Created…..17
5. Why The Old Great Story Takes The Form That It Does….23
6. How The Great Story Does Its Work….26
7. How This Natural Storymaking Process Was Cut Off….32
PART TWO: THE SECRET LANGUAGE OF GREAT STORIES
8. The Metaphors….37
9. The Archetypes….43
PART THREE: THE NEW STORY MODEL
10. The Storywheel….47
11. The Golden Paradigm….52
12. Inner Conflict….85
13. The Ego/Hero Archetype….88
14. The Marvelous And Terrible Elements….96
15. The Archetypes Of The Creative Unconscious Self….98
16. Some Special Qualities Of Metaphor….110
17. Group Phenomena And The Entity Being Transformed….116
18. The Dynamic Cycle….119
19. The Hero’s And The Antihero’s Journey….124
20. The Story Focus….149
21. The Sugar Coat….170
22. The Storywheel Revisited….173
PART FOUR: THE ART OF STORYMAKING
23. The Creative Process And The New Artist-Storymaker….177
24. Imitations Of Real Life….179
25. Source Of Material….182
26. Six Creative Techniques….184
27. Creating The Whole Story Passage….190
28. Creating The Story Focus….220
29. Story Alchemy….238
30. Creating The Sugar Coat….242
31. Perseverance….246
32. Conclusion….248
Epilogue….251
Bibliography….253
Glossary….254
Index….262
